纪录片《南宋》是浙江卫视继纪录片《浙江文化地理》、《西湖》之后的又一部大型人文纪录片，纪录片《南宋》共分八集，主要内容为《遥望中原》、《华贵之城》、《诗词流域》、《南曲戏文》、《宋画千秋》等集。这个中国封建历史上最繁盛的王朝，已经消失在现代人的视野，但宋朝人风雅的社会生活模式，实际上都被后世的中国人所承袭。用先进的特效制作，丰富的视觉传达，扎实的电视文本，还原一个真实的南宋！

南宋的皇城旧址现存于浙江的省会杭州市，因此浙江人对南宋都有着一种难以言说的情怀。但是放眼全国很多人对南宋的了解并不全面，并习惯认为南宋是一个积…

The history of the sport of baseball in America, told through archival photos, film footage, and the words of those who contributed to the game in each era. Writers, historians, players, baseball personnel, and fans review key events and the significance of the game in America's history.

Inning One, Our Game, looks at the origins of baseball in the 1840s and takes the story up to 1900. Burns refutes the myth that Abner Doubleday invented baseball in Cooperstown and traces its roots instead to the earliest days of the nation — there are records of a game called "Base" played at Valley Forge. 　　Inning Two, Something Like a War, takes viewers through 1910 and introduces some of the game's most celebrated and colorful characters, including Ty Cobb, Honus Wagner, Christy Mathewson and Walter Johnson. 　　Inning Three, The Faith of Fifty Million People, examines the century's second decade, which was dominated by the Black Sox scandal. George Herman "Babe" Ruth makes his first major league appearance (as a member of the Boston Red Sox) and a wave of immigration helps fill the stands with new fans, eager to "become American" by learning America's game. 　　Inning Four, A National Heirloom, concentrates on Babe Ruth, whose phenomenal performance thrilled the nation throughout the 1920s and rescued the game from the scandal of the previous decade. 　　Inning Five, Shadow Ball, tells the story of the Negro Leagues in the 1930s. The title refers to a common pre-game feature in which the players staged a mock game with an imaginary ball. Though unintended, the pantomime was an apt metaphor for the exclusion of blacks from major league play at that time. 　　Inning Six, The National Pastime, covers the 1940s and includes Joe DiMaggio's celebrated hitting streak, the awe-inspiring performance of Ted Williams and what Burns calls "baseball's finest moment" — the debut of Jackie Robinson, who broke the color barrier as a member of the Brooklyn Dodgers in 1947. 　　Inning Seven, The Capital of Baseball, takes viewers through the 1950s when New York City had three successful baseball teams and dominated the World Series. By the end of the decade, the Giants and Dodgers had left New York, a signal that the old game was changed forever. 　　Inning Eight, A Whole New Ball Game, moves the field to the 1960s. This episode traces the emergence of television, the expansion to new cities and the building of anonymous multipurpose stadiums that robbed the game of its intimacy and some of its urban following. 　　Inning Nine, Home, looks at baseball from the 1970s to the present, including the establishment of the free agent system, the rise in player salaries, the continued expansion, the dilution of talent, the ongoing battles between labor and management and the scandals.

Inning One, Our Game, looks at the origins of baseball in the 1840s and takes the story up to 1900. Burns refutes the myth that Abner Doubleday invented baseball in Cooperstown and traces its roots instead to the earliest days of the nation — there are records of a game called "Base" played at Valley Forge. 　　Inning Two, Something Like a War, takes viewers through 1910 and introduces some of the game's most celebrated and colorful characters, including Ty Cobb, Honus Wagner, Christy Mathewson and Walter Johnson. 　　Inning Three, The Faith of Fifty Million People, examines the century's second decade, which was dominated by the Black Sox scandal. George Herman "Babe" Ruth makes his first major league appearance (as a member of the Boston Red Sox) and a wave of immigration helps fill the stands with new fans, eager to "become American" by learning America's game. 　　Inning Four, A National Heirloom, concentrates on Babe Ruth, whose phenomenal performance thrilled the nation throughout the 1920s and rescued the game from the scandal of the previous decade. 　　Inning Five, Shadow Ball, tells the story of the Negro Leagues in the 1930s. The title refers to a common pre-game feature in which the players staged a mock game with an imaginary ball. Though unintended, the pantomime was an apt metaphor for the exclusion of blacks from major league play at that time. 　　Inning Six, The National Pastime, covers the 1940s and includes Joe DiMaggio's celebrated hitting streak, the awe-inspiring performance of Ted Williams and what Burns calls "baseball's finest moment" — the debut of Jackie Robinson, who broke the color barrier as a member of the Brooklyn Dodgers in 1947. 　　Inning Seven, The Capital of Baseball, takes viewers through the 1950s when New York City had three successful baseball teams and dominated the World Series. By the end of the decade, the Giants and Dodgers had left New York, a signal that the old game was changed forever. 　　Inning Eight, A Whole New Ball Game, moves the field to the 1960s. This episode traces the emergence of television, the expansion to new cities and the building of anonymous multipurpose stadiums that robbed the game of its intimacy and some of its urban following. 　　Inning Nine, Home, looks at baseball from the 1970s to the present, including the establishment of the free agent system, the rise in player salaries, the continued expansion, the dilution of talent, the ongoing battles between labor and management and the scandals.

《经济与法》每天精心选择一个典型案例，用三十分钟悉心讲述案例背后蕴涵的法理及规章制度，挖掘市场经济活动中存在的法律缺失，及时传播法律法规，充分发挥栏目在经济生活领域中的法制宣传作用。作为财经频道唯一一档法制专题节目，《经济与法》着重向观众传递“经济活动中的法律规则”，关注个体在经济活动中的法律困惑，法律认识，以栏目的影响来推动市场经济的规范化和法制化。 　　《经济与法》是由中央电视台经济频道与最高人民法院办公厅合办的法制专题栏目，自2003年2月开播以来，始终以“推进中国市场经济规范进程”为宗旨，节目以“理性的精神，规则的力量，辨证的魅力”来打动和吸引观众。